Singing For Satan: Special Edition

 

From August 2017 to August 2019, I ran a series of posts exposing the evil in rock, pop, and rap music, and I called the series of posts "Singing For Satan." Although that "first Monday of the month" series ended almost six years ago, I reserved the right to bring up another post on the topic if I thought any artist(s) not previously covered needed to be exposed or if new developments with those I had covered took place. I feel the necessity to present the facts on Eminem's latest album, Stevie Nicks' new song, Billy Joel, and the music/musicians involved at the funeral and in the life of former President Jimmy Carter. I combined original research about these developments with that from the past.  I will reproduce the brief overview that accompanied the Singing For Satan series before exposing the artists.  God bless you all, my dear readers---Introibo

The Introduction to the original series of posts:

This week I continue my series of posts regarding an informal study I undertook in the early 1990s regarding rock and pop music. The purpose of my study (and the background to it) can be read in the first installment of August 7, 2017. If you have not read that post, I strongly encourage you to do so before reading this installment. I will only repeat here the seven (7) evil elements that pervade today's music:

1. Violence/Murder/Suicide

2. Nihilism/Despair

3. Drug and alcohol glorification

4. Adultery/ Fornication and sexual perversion

5. The occult

6. Rebellion against lawful superiors

7. Blasphemy against God, Jesus Christ in particular, and the Church

 The exposing of the bands/artists continues.

WARNING!! This post contains material that is extremely graphic, and may be found very disturbing. Reader discretion is advised.

Eminem: Is "Slim Shady" Really Dead?

Eminem (b. Marshall Mathers III in 1972) came from a humble start. Eminem became the best selling artist of 2000-2010, having sold an incredible 47.4 million albums in the United States alone, and he is listed as #83 in Rolling Stone magazine's "100 Greatest Artists of All Time." He was born to a dysfunctional family. His father left home when he was young, and his mother Debbie (who recently died, and whom Eminem despises), raised him. Eminem spent most of his youth growing up in a very poor, predominantly African-American community in Detroit, referred to by some as "8 Mile" because of 8 Mile Road that separates the poor from the rich. 8 Mile would become the title of his box office smash movie in 2002, basically telling his story. He derives his stage name from his initials, "M and M."

I took an interest in Eminem when he started and followed his career. He is one of the most vile, obscene, anti-Christ artists in the world. He embodies all seven of the evil elements in today's music. He is friends---and collaborated with---open Satan worshipper Marilyn Manson. On July 12, 2024, Mathers released his 12th studio album entitled The Death of Slim Shady (Coup de Grace). 

For those who don't know, Eminem's burst into fame came after he created an "alter-ego" he named "Slim Shady." In Spin magazine's cover story ("The Devil and Mr. Mathers..."), the rapper admits that he encountered an "entity" in his bathroom mirror which identified itself as Slim Shady. When Slim Shady started writing his lyrics, he became a superstar. In his song My Darling, he raps about his encounter:

And the dark shall emerge from the fiery depths of hell
Then swallow the shell, all the hollow who dwell
In the shadows of all who are willing to sell their souls
For this rap game and it g-g-goes
One-two-three, chk-chk, one-two-three
Chk-chk, one-two-three, that ain't the hook, now follow me
There's nothing else for me to say, my public adores me
Everybody bores me, they're just so corny
So at night before I sleep, I look in the mirror
The mirror grows lips and it whispers: "Come nearer!"...

He then tells of the price he had to pay. Slim Shady speaks to him as follows:

You remember that night you, prayed to god (sic)
You'd give anything to get a record deal, well Dre signed you
This is what you wanted your whole life Marshall, right through
Look at this house, look at these cars, I'm so nice, wooo!
Oh, but you didn't know, fame has a price too

Just a publicity stunt? According to Marcia Dawkins' biography, Eminem: The Real Slim Shady, Some scholars believe that Eminem uses his music to dramatize a deep and intense spiritual battle. He admits as much in "Must Be The Ganja" (2009) where he confesses he can identify with both the Dalai Lama (good) and Jeffery Dahmer (evil). As he seeks deeper spiritual commitment, Marshall Mathers, the redeemed or spiritual Everyman wrestles against the sinful Slim Shady persona. In Rap and Religion: Understanding the Gangsta's God, Ebony A. Utley suggests that the Slim Shady persona is downright demonic. Utley writes that, 'In the introduction to the Slim Shady EP, a foreboding voice not unlike the one attributed to the Devil in 'My Darling' taunts Eminem even though he repeatedly states, 'I thought I killed you,' 'What do you want from me?' and 'Leave me alone." (pg. 81; Emphasis mine). The Dalai Lama is evil, leading souls to Hell, and so is Dahmer for obvious reasons. There is no one Eminem identifies with who is truly good. Dawkins writes, "In fact, as Slim Shady, Eminem is known for being at odds with everything sacred and being passionate about anything profane." (pg. 79).

While Spin magazine reported that he first met the spirit of Slim Shady when he was in the bathroom, in his song, Low, Down, Dirty, he sings about "Hearing voices in my head while these whispers echo, 'Murder Murder Redrum" (redrum is murder backwards and made famous in the movie The Shining, where actor Jack Nicholson portrays a writer whom is driven insane by demonic forces).

Now, the rumors are flying that Eminem has killed off his alter ego, and will end his career. Such is not the case. While the album is a "battle" between the rapper and Slim Shady, the lyrics are evil and vile, showing Slim Shady will remain very much alive. Turning 53 this year, Mathers will not be ending his drive for more money and fame.

The following is taken directly from The Death of Slim Shady album.  WARNING! The lyrics of this artist are extremely vile and disturbing. I've censored them as much as possible.

In the song "Lucifer," Eminem tells his mother she really gave birth to Lucifer (Satan) and that the rapper's followers are a "Satanic cult" and then compares himself to infamous killer Charles Manson:

Haters can meet the same exact fate as my dad, wait

'Least he didn't miss me graduate (okay, yeah, great)

But, Mom, do I still act eight?

Uh, maybe a little, Debbie (what?) Like a snack cake (slut)

But if this is what he do to his mom

Imagine what he'd do to you, I'm a lunatic armed

And if it's you I use the clip on, for you to respond

Is ludicrous, ma, look at what your uterus spawned, Lucifer...

Now my followers are like a Satanic cult (what?)

Yeah, they listen to me like when Manson spoke (shh)

They say I don't know struggle no more, that's a joke (haha)

Bitch, the fu****' elevator in my mansion's broke (see?)

I have to walk like half a block to get a can of Coke (Emphasis mine).

In the song "Antichrist," Slim Shady is the one speaking and proclaims Marshall (Mathers) the Antichrist:

Marshall, he's the antichrist

He will slice and dice

Sluts, whores, men, women, and children (one more time, what's my name?)

His name is Marshall, he's the antichrist

He will slice and dice

Skanks, sluts, whores, men, women, and children

You wanna dance with the devil, dance with the devil, dance with the devil?

You wanna dance with the devil, dance with the devil, dance with the devil?

You wanna-

(I ain't goin' nowhere)

It's about to get scary

Bizarre (I'm still here, ay-ay, ay-ay, ay-ay) (Emphasis mine).

In the song "Guilty Conscience 2," it makes it seem that Mathers has returned to his "old self" and killed off Slim Shady, but the outro to the song says Mathers hasn't changed, he was just dreaming:

Oh, woah, what the f**k?

Come on, come on, come on, come on

Yeah?

Paul

You're not gonna f***ing believe this, bro

I had this dream, it was f***ing crazy

It was like, the old me came back on the new me

And took over my brain and had me sayin' all this f***ed-up shit

About little people and Caitlyn Jenner and

PC police were chasin' me

And fucking Gen Z was tryna kill me

And quadriplegics, and Christopher Reeves

And I was saying all this fucked-up shit

And I couldn't stop sayin' it

And then I wake up and it was like I was still dreamin'

F**k you

Wait

Hahaha (Emphasis mine)

Stevie Nicks: Anthem from a Baby-Killing Witch

Stevie Nicks was born Stephanie Lynn Nicks in 1948. She was unable to pronounce her first name as a small child, saying "tee-dee," resulting in her childhood nickname of "Stevie" which she adopted as her stage name. Nicks enjoys dressing in long, flowing witches gowns, usually with a hood. She inserts Wiccan imagery and incantations into the albums of both Fleetwood Mac and her solo endeavors. Her "soft rock" image serves as a cover for the sinister messages she brings through her music.

Nicks believes she is the reincarnation of a Welsh witch named " Rhiannon," and her music is published under the name "Welsh Witch Publishing Co." Although Nicks now denies ever having involvement in witchcraft, her past interviews and song origins/lyrics give the lie to that contention. According to a feature story about Nicks in  The Ringer, Nicks wrote the song [Rhiannon] after stumbling upon Mary Leader’s Triad: A Novel of the Supernatural in an airport bookstore. At the time she just liked the way the name "Rhiannon" sounded, but later she’d grow to feel a kinship with the Celtic deity’s origin story. Ever since, she’s taken to using the word as an adjective: To this day, if someone or something has good vibes, Stevie Nicks considers it "very Rhiannon."

 (See https://www.theringer.com/music/2017/11/21/16683772/stevie-nicks-book-career-fleetwood-mac).

 Even in her attempt to distance herself from Wicca, we see the name Rhiannon is of a pagan Celtic "goddess" obtained from reading a book on the supernatural; not a very reassuring denial. She claims to have been able to write the song in a mere ten minutes after reading the book (which deals with demon possession).  While touring, Stevie would sometimes open this song by informing the audience the tune is about "an old Welsh witch." Here are the lyrics:

Rhiannon rings like a bell through the night/And wouldn't you love to love her?/Takes to the sky like a bird in flight/And who will be her lover?/All your life you've never seen a woman taken by the wind/Would you stay if she promised to you heaven?/Will you ever win?/She is like a cat in the dark/And then she is the darkness/She rules her life like a fine skylark/And when the sky is starless/All your life you've never seen a woman taken by the wind/Would you stay if she promised to you heaven?/Will you ever win?/Will you ever win?/Rhiannon/Rhiannon/Rhiannon/Rhiannon (Emphasis mine). In live concert, the following lyric was added: "Once in a million years, a lady like her rises. 'Rhiannon' you cry but she's gone, and your life knows no answer, and your life knows no answer."

Nicks claims that the hit song Sara was written in memory of one of her four aborted children she conceived with different men. This particular child was conceived with Don Henley, the occult practicing drug addict from the band The Eagles. (See www.lifesitenews.com/news/stevie-nicks-confirms-she-wrote-hit-song-about-baby-she-aborted-with-don-he). 

Nicks said she would have named the child Sara if she had chosen not to murder the baby and it was a girl. Henley was going to build a house for them when he found out she was pregnant, but Nicks thought her career was more important, which is why she murdered all four of her unborn babies. She murdered one child fathered by Henley, one by then-boyfriend Buckingham, one by rock star Joe Walsh, and another by whoever she was sleeping around with at the time. The pertinent part of Sara:

Sara, you're the poet in my heart
Never change, never stop
And now it's gone
They say it doesn't matter what for
When you build your house, call me…

All I ever wanted was to know
That you were dreaming
There's a heartbeat
No, it never really died

You never really died 

Yes, your unborn baby really died, and you murdered her. Yet Nicks assures us,"...  It's much more fun to be the crazy auntie [of a child] than it is to be the mom, anyway." (See http://www.theage.com.au/news/music/a-magical-life/2006/02/09/1139465789637.html?page=fullpage).

Now, in 2024, Nicks has released an ode to abortion in the aftermath of the wonderful U.S. Supreme Court case Dobbs v. Jackson (2022) which overturned Roe v. Wade (1973) that had declared a "right to abortion" was protected by the U.S. Constitution. Whether or not to allow abortion (and to what extent) is up to each individual state. 

In the song "The Lighthouse," the witch who killed four of her own children, tells women to fight for the right to kill their babies, and "be afraid" if they can't murder them. 

"Don’t close your eyes and hope for the best / The dark is out there / The light is going fast / Until the final hours," she sings. "Your life’s changed forever / And all the rights that you had yesterday / Are taken away / And now you’re afraid / You should be afraid.”...

“I find it very sad, at 76 years old, I had to see Roe v. Wade taken away," Nicks tells PEOPLE exclusively in an email interview. "Two years ago, when I realized the consequences of women’s rights that are vanishing, I watched a lot of news, and I was like a sponge — it just went into me.”

Following the news, the Grammy winner and Rock & Roll Hall of Fame inductee channeled that sadness into song.

“One morning I woke up… which, I never write when I wake up in the morning, and all of a sudden went, ‘I have my scars, I have my scars,’ so I just grabbed my notebook, and I started writing the whole thing," she says. "It was a long-form poem, and I didn't know what kind of song that would be. I found an instrumental that I loved and within two or three days, I had recorded the song. I never redid the vocal — it's an original vocal — and it's taken me two years.”...

The topic of women's reproductive rights is a personal one for Nicks, who in 2020 revealed to The Guardian that she "would have had to walk away" from Fleetwood Mac if she didn't get an abortion in 1979. Without the procedure, "I’m pretty sure there would have been no Fleetwood Mac," she added at the time.

Now, she tells PEOPLE, “All the stories that we tell about the necessity for women's healthcare and the necessity for a safe and legal abortion option for women is absolutely necessary."

(See https://people.com/stevie-nicks-discusses-new-song-the-lighthouse-abortion-access-exclusive-8719365). 

Ultimately, what Nicks is saying is that in order for women to be powerful and in charge of their lives they need the ability to kill their own preborn children. The notion of women needing to have abortions to be successful is not only wrong, but grossly misogynistic and pure evil. It's an idea that Nicks has frequently promoted; and why wouldn't she do so? Wiccans are advocates for abortion

The wicked song proclaims that murdering children is like "The Light" and saving them is darkness. Immediately Isaiah 5:20 came to mind, "Woe to you that call evil good, and good evil: that put darkness for light, and light for darkness: that put bitter for sweet, and sweet for bitter."(Emphasis mine). 

Nicks is going on tour with another avowed enemy of Christianity, Billy Joel.

Billy Joel: Only The Evil Die Eternally

William Martin (Billy) Joel (b. 1949) is a Jew born in New York City and raised on Long Island. He began playing the piano at a young age, and was discovered in 1972 when his song "Captain Jack" got noticed. The song is based on a drug dealer who sold heroin near where Joel grew up. It was also the first song on the radio to specifically use the word masturbate:

Saturday night and you're still hangin' around

You're tired of livin' in your one horse town

You'd like to find a little hole in the ground for a while

So you go to the village in your tie-dye jeans

And you stare at the junkies and the closet queens

It's like some pornographic magazine, and you smile

But Captain Jack will get you high tonight

And take you to your special island

Captain Jack will get you by tonight

Just a little push 'n' you'll be smilin'

Oh yeah, yeah

Your sister's gone out, she's on a date

And you just sit at home and masturbate

Your phone is gonna ring soon,

But you just can't wait, for that call

Joel produced 12 studio albums and is still touring. He has sold over 160 million records. Joel was inducted into the Songwriters Hall of Fame in 1992, the Rock and Roll Hall of Fame in 1999, and the Long Island Music Hall of Fame in 2006. His net worth is estimated at approximately $250 million dollars. Although his parents are Jewish, he was not raised in the religion. He would attend true Masses pre-Vatican II with his friends, and was baptized unbeknownst to his parents in a Protestant church when he was 11 years old. Yet, he claims it was peer pressure and is a self-proclaimed atheist.

His 1977 song "Only The Good Die Young" is about a Jewish boy trying to convince a devout Catholic girl to fornicate with him. 

Come out, Virginia, don't let me wait

You Catholic girls start much too late

Aw, but sooner or later it comes down to fate

I might as well will be the one

Well, they showed you a statue, told you to pray

They built you a temple and locked you away

Aw, but they never told you the price that you pay

For things that you might have done

Well, only the good die young

That's what I said

Only the good die young

Only the good die young

You mighta heard I run with a dangerous crowd

We ain't too pretty, we ain't too proud

We might be laughing a bit too loud

Aw, but that never hurt no one

So come on, Virginia, show me a sign

Send up a signal, I'll throw you the line

The stained-glass curtain you're hiding behind

Never let's in the sun

Darlin', only the good die young

Whoa-whoa-whoa-whoa

I tell ya only the good die young

Only the good die young

You got a nice white dress and a party on your confirmation

You got a brand new soul

Mmm, and a cross of gold

But, Virginia, they didn't give you quite enough information

You didn't count on me

When you were counting on your rosary

Oh-whoa-whoa

And they say there's a heaven for those who will wait

Some say it's better, but I say it ain't

I'd rather laugh with the sinners than cry with the saints

The sinners are much more fun

You know that only the good die young, oh, baby

I tell ya only the good die young

Only the good die young

Said your mother told you all that I could give you was a reputation

Aw, she never cared for me

But did she ever say a prayer for me?

Oh-whoa-whoa

Come out, come out, come out, Virginia, don't let me wait

You Catholic girls start much too late

Sooner or later it comes down to fate

I might as well will be the one

You know that only the good die young

Tell you, baby

You know that only the good die young

Only the good die young

Only the good

Only the good die young

Ooh-ooh, ooh-hoo

Ooh-ooh-hoo-hoo

Ooh-ooh, ooh-hoo

Ooh-ooh-hoo-hoo

Ooh-ooh, ooh-hoo

Ooh-ooh-hoo-hoo

Only the good die young

Only the good die young  (Emphasis mine)

Interestingly, as Joel was nearing the peek of his fame at this point, he wanted to buy a mansion on Long Island to show off to the people who said he would never make it when he began his career in music. He had his eye on a beautiful place in the posh area of Oyster Bay Cove. The home was going cheaper than most as a murder had occurred there. Joel waited a day too long to make his move and it was sold to Archbishop Lefebvre, who consecrated it as a Church. In 1983, it became (and remains) the signature Church of the Society of St. Pius V (SSPV) when they broke from Abp. Lefebvre.

Billy Joel has this to say about going to Mass as a child:

I viewed the whole business as a lot of very enthralling hocus-pocus. There's a guy hanging upon the wall in the church, nailed to a cross and dripping blood, and everybody's blaming themselves for that man's torment, but I said to myself, 'Forget it. I had no hand in that evil. I have no original sin. There's no blood of any sacred martyr on my hands. I pass on all of this.'

He says of his atheism that it is like a father-child relationship (in a perverse way):

You decide first of all that will not ask Daddy – meaning God in all of his imagined forms – for a helping hand when you're in a jam. Then you have to try and make some sort of sense out of your problems. And if you try and find you can't, you have no choice but to be good and scared – but that's okay!

(See https://hollowverse.com/billy-joel#http%3A%2F%2Fwww.celebatheists.com%2Fwiki%2FBilly_Joel). 

His nastiness is legendary. I worked with a woman who was out on Long Island and saw Joel reading a newspaper on a bench. Excitedly and nervously, she approached him to ask for his autograph. Without looking up, he replied, "F*** off." 

He has struggled with depression. According to one source:  According to Joel, he often felt like life was meaningless and that there was no point in living. (See https://westwindrecovery.com/recovery-blog/celebrities-with-mental-health-issues/#1698780174435-620c897d-3d44). 

Jimmy Carter and "Good Christian Music"

Former U.S. President James Earl ("Jimmy") Carter died on December 29, 2024 at the age of 100. He lived longer than any other president in American history. Carter is often lauded as a "devout Christian," yet supported abortion on demand. At his funeral, Garth Brooks, a country singer, played the detestable John Lennon song "Imagine," an atheist anthem. 

Imagine there's no heaven

It's easy if you try

No hell below us

Above us, only sky

Imagine all the people

Livin' for today

Ah

Imagine there's no countries

It isn't hard to do

Nothing to kill or die for

And no religion, too

Imagine all the people

Livin' life in peace

You

You may say I'm a dreamer

But I'm not the only one

I hope someday you'll join us

And the world will be as one

Imagine no possessions

I wonder if you can

No need for greed or hunger

A brotherhood of man

Imagine all the people

Sharing all the world

You

You may say I'm a dreamer

But I'm not the only one

I hope someday you'll join us

And the world will live as one (Emphasis mine).

While claiming to believe in nothing but himself, Lennon and The Beatles promoted pagan religion and a Satanist, Aleister Crowley. The man who wanted us to "imagine no possessions" was a multi-millionaire. He was anti-war and denounced the United States for acts of violence while beating his wife Cynthia, emotionally abusing his son Julian, and on at least one occasion was filmed making fun of the physically-challenged. He was a raging drug addict and advocated drug use. Why would "devout Christian" Carter want THAT song by THAT man at his funeral? Like Lennon, Carter was more focused on the things of this world than the next. Building houses was more important than seeking your heavenly home.

Brooks (b. 1962) likes to "thank Jesus" frequently, claims to be Christian, yet espouses no denomination and has no regular church attendance. Nominally Republican, he was a supporter of baby killer, pro-sodomite, Communist Barak Obama. He also sang an overtly atheist anthem for Carter's funeral. Brooks admitted to cheating on his first wife, Sandy Mahl, in 1989. Last year, an anonymous hairstylist is suing Brooks for sexual assault. 

Finally, Jimmy Carter holds the infamous distinction of being the only president to pardon a convicted child molester. On January 19, 1981, one day before his term ended and Ronald Reagan became president, Carter pardoned Peter Yarrow of the folk group Peter, Paul, and Mary. Yarrow died on January 7 of this year at the age of 86. Only Paul Stookey remains alive. Mary Travers died in 2009.

Yarrow was the ultimate liberal, secular Jew, having been born here in Manhattan and being the quintessential anti-American hippie. In 1970, Yarrow (then 34 years old) was visited at his hotel room by a 17 year old girl and her14 year old sister; they were hoping to see him and get an autograph. He asked the 17 year old to wait in the living room while he took 14 year old Barbara Winter into the bedroom and made her masturbate him. He was arrested, and at trial, claimed the little girl was a "willing participant." The judge found Yarrow guilty and sentenced him to a mere three months in jail. 

For reasons unknown, Carter gave the folk singer an Executive Pardon. Yarrow then admitted to the crime and confessed that Winter had not been a "willing participant." In 2021, another allegation came forth. According to the Washington Post:

Then, 40 years after Carter’s pardon, another woman stepped forward with an accusation of her own. In a lawsuit filed in New York on Feb. 24, 2021, she alleged that Yarrow lured her to a Manhattan hotel when she was a minor in 1969 and raped her.

Through an attorney, Yarrow, who turns 83 this month, declined to respond to questions about how he acquired his pardon or the new allegation against him. The lawsuit, which sought unspecified damages, also named the band Peter, Paul and Mary as co-defendants, alleging that Travers and Stookey “knew that Yarrow liked to have sexual intercourse with and perform other sex acts on minor children.”

Travers died in 2009. “This is all a surprise to me,” Stookey told The Post. “It’s not in his character. If anything he’s over solicitous in making people comfortable.”

Court records indicate the woman reached a settlement with Yarrow and the band in April. She and her attorneys did not respond to multiple requests for comment. (See https://web.archive.org/web/20210517122113/https://www.washingtonpost.com/history/2021/05/17/peter-yarrow-carter-pardon-assault/).

As if all this isn't sick enough, Barbara Winters said that after she masturbated Yarrow (not knowing what she was doing and afraid) he told her, “not to tell anybody except for, because I was a Catholic, I could tell the priest in confession.” He knew enough that a Catholic priest can never break the seal of Confession. 

The only reason Yarrow could be sued after so many years was because the New York State Legislature allowed any sexual assault lawsuit regarding a minor to be initiated, regardless of how long ago in the past, in response to the raping of children by the Vatican II sect's clergy. 

I had the dubious distinction of meeting Yarrow in person 25 years ago when he was starting "Operation Respect," a program which was aimed primarily at school bullying, but was also at first a general anti-bullying message. One of the partners at my firm wanted me to take the day off to go and see Yarrow's presentation at a nearby hotel to see if HR could use any of his "cultural sensitivity" material. His presentation was attended by about 100 people. We sang anti-bullying songs, he told stories about the bad effects of bullying, and gave out some literature on how to be inclusive.

Peter, Paul, and Mary had a famous song, "Puff, The Magic Dragon." "Magic dragon" was 1960s slang for marijuana. The song tells it like a children's story. It even became a children's cartoon. Yarrow always swore the song was not about drugs despite all the dope-laden references. As the time to end approached, Yarrow asked, "Before we leave, does anyone have any questions for me?" I had to go for it. I raised my hand.  Yarrow pointed to me (the only one with a raised hand) and smiled. "yes, the young man in the blue suit!" I asked, "Mr. Yarrow, with all the drug references throughout 'Puff, the Magic Dragon' isn't it really about marijuana?" He turned red with rage and screamed "NO!!!" at the top of his lungs and ran out. The audience was in stunned silence. So much for anti-bullying and being respectful. 

Conclusion

This concludes my update on the sorry condition of most modern musicians and the evil messages they convey. Let this post serve as a warning to be careful of the music which you listen to and allow in your home. If you think you are immune from its influence, think again. Medical doctor and brain specialist, Richard Pellegrino, who is a consultant to the entertainment industry, wrote an article for Billboard Magazine, about the power of music. Dr. Pellegrino stated: Take it from a brain guy. In 25 years of working with the brain, I still cannot affect a person’s state of mind the way that one simple song can.

Then think of what the demonic Eminem stated in his song "Marshall Mathers:" I think I was put here to…destroy your little 4-year-old boy or girl.